'Two Goldfish' (1926) by Ohara Koson ( 1878–1945). Woodblock print.
Image and text courtesy MFA Boston.
Inspired by Gabriel Morenos work
by Milos Jovanovic (Belgrade, Serbia)
“A three second exposure meant that subjects had to stand very still to avoid being blurred, and holding a smile for that period was tricky. As a result, we have a tendency to see our Victorian ancestors as even more formal and stern than they might have been.”
I’ve reblogged this before and I will reblog it again.
This is so great
I have now died and am in heaven!??!! <3 <3 <333
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